by C418

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Oramkahl thumbnail
Oramkahl It has taken me a very long time to get past my initial bewilderment at how much this album tells a story. It was a journey of beautiful monotony, of dealing with inadequacies... I was hooked from the start. This whole album could be classified as a favorite track, and hats of to you, Daniel, and I hope this and your future work has helped you find your way through this world. Favorite track: 185.
Strittles thumbnail
Strittles I've listened to this album countless times and I find it to be jaw-droppingly beautiful. The anti-conformist angst, the struggle of the life of an artist - and of Daniel as just a human - is what makes this so raw and powerful. Here's to a million more play-throughs of this wondrous artwork. Favorite track: Seismic Stratigraphy.
Alek Fleischer
Alek Fleischer thumbnail
Alek Fleischer the first 3 tracks of this are amazing Favorite track: Seismic Stratigraphy.
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148 is a highly energetic and loud mouthed release full of house and drum&bass tunes. There's a house ballad, there's collaboration with cool artists and there's also some surprises, like Minecraft remixes I haven't shown anywhere else but at live shows.

I've been working on this thing for over five years. At least a few songs I've worked on from the beginning until the last day, even. I wish I would have saved every single version of all of these songs so I could see how they changed, but before 2012 I really didn't understand what backing up really meant, haha. This album is also a super interesting evolution of my own sound. When I started making it, I was all into all-analog. When I finished making it, I wasn't really concerned about using digital means to reach the same goal anymore. When I started making this, I was a scared composer, fresh off of Minecraft fame. Unsure what the future would bring me. And when I finished making it, I became a jaded composer, hypercritical of every single piece I ever created, worried that my old work shows that I'm not good enough.

That really doesn't matter anymore though, because I think I'm happy with this album.

It just has been plaguing me for too long. I think that you can't be happy with anything if you've stared at it too close for too long. Which is why I decided to stealth release it without any announcement. I've had incredibly unproductive years recently, and a lot of it had to do with being burnt out and partly being somewhat depressed. This album didn't really help my psyche either. By releasing this, right now, I hope I can get to a clean slate and start beginning work on new stuff. And, of course, maybe it stops making everyone worried that I stopped composing altogether.

So, this is it! 148 has been started on a gigantic computer system somewhere in East Germany in 2011 and finished on a tiny laptop in Toronto, 2015.

I really hope you like it! And if you don't, I'm not dead yet. I'll have more music. So much more.



released December 18, 2015

C418, Big Giant Circles, Laura Shigihara, Baiyon, Disasterpeace


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C418 Germany

hi it's me your favourite music man, daniel.

you probably know me from minecraft and then came to stay for all the other music that gets you working.

or you are just stopping by.

whatever it is, hi, I'm your favourite human, and occasional music man, daniel. welcome.
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